Juana Cañas
(pronounced "Can-yas")
skilfully combines
methods of the Renaissance artists with her own
personal style to bring life to the art of
still-life painting.
Her pictures hint at the
presence of a person,
without ever revealing a human figure. This human connection adds a warm
and welcoming quality which draws you into the painting.
Her work hangs in private collections in
New York, Chicago, Washington, Hollywood, London, Madrid, Brussels, Tokyo, Athens, Dublin,
and Panama.
Juana's work features extensively in the book Still Life in Oils by Theodora Philcox, published by AVA.
In autumn 2000, her work featured on the front cover of Symposium - A Quarterly Journal in Modern Literatures, volume 54, number 3, published by Heldref publications.
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